9 to 5 is remembered as a groundbreaking comedy, but rewatching it today reveals a movie that casually pivots into kidnapping, false imprisonment, and accidental corpse theft. In this episode of So Many Sequels, Josh Gammon, Garrett Powders, and David Prock revisit the 1980 classic. They discuss Dolly Parton’s flawless…
Some post-apocalyptic movies are about surviving the infected. 28 Years Later: The Bone Temple is about surviving Jack O'Connell and a cult named Jimmy. In this episode of So Many Sequels, Josh Gammon, Garrett Powders, and David Prock review the second part of the new 28 Years Later trilogy. They…
Chris Hemsworth. Mark Ruffalo. Halle Berry. Barry Keoghan. A $90 million budget. And a box officea run that didn't come close to covering it. In this episode of So Many Sequels, Josh Gammon, Garrett Powders, and David Prock kick off a streaming catch-up series with Crime 101 — the heist…
The Odyssey made $652 million in two weekends, and Christopher Nolan still found time to build a real Trojan horse, cast Travis Scott, and turn a Cyclops into a genuinely tragic figure. In this episode of So Many Sequels, Josh Gammon, Garrett Powders, and David Prock close out Mythology Month…
In this episode of So Many Sequels, Josh Gammon, Garrett Powders, and David Prock dig into Disney's 1997 Hercules for week three of Mythology Month — the extremely American, gospel-choir version of the Greek myth that somehow still works. In this episode: -The wild casting history behind Hades -Why the…
Troy took Homer's Iliad, cut the ten-year war down to three weeks, and removed every god from the story. Josh, Garrett, and David talk through whether that decision is why the 2004 epic still divides people twenty years later. In this episode of So Many Sequels, the hosts break down…
Josh, Garrett, and David open Mythology Month with the Coen Brothers' 2000 Depression-era riff on Homer, timed to Christopher Nolan's The Odyssey hitting theaters July 17. They break down the film's loose (very loose) Homeric parallels, the Grammy-winning soundtrack that outsold the movie's own box office reputation, the Homer Stokes…
Spielberg called Disclosure Day the third chapter of a spiritual alien trilogy — after Close Encounters of the Third Kind and E.T. That's not marketing. He means it. And watching the movie, you can feel it. Josh Gammon, Garrett Powders, and David Prock close out Spielberg in Space Month with…
Josh, Garrett, and David close out Spielberg in Space month with War of the Worlds — the one where the aliens finally turn hostile, Tom Cruise plays peak divorce-dad energy, and the hosts argue about whether the most unlikable protagonist in the Spielberg canon actually makes the movie work. Follow…
So Many Sequels continues our Spielberg in Space series ahead of Disclosure Day with a deep dive into E.T. the Extra-Terrestrial. In this episode we cover: -E.T.'s record-setting box office run — 28 consecutive weeks in the top 5 and a $2.2 billion worldwide total adjusted for inflation. -How E.T.…
Close Encounters of the Third Kind came out in December 1977, made $116 million in the US alone, and lost the box office crown for that year to exactly one movie: Star Wars. Not a bad second place. Josh, Garrett, and David kick off Spielberg in Space Month with Spielberg's…
Summer movie season is officially kicking off, and the box office is already throwing curveballs. This week, we dive into the numbers for The Mandalorian & Grogu, which defied early tracking worries to pull in a solid $81.9 million over the weekend. But the real story might be the horror-thriller…
Is Alfred Hitchcock's Rear Window a tense cinematic masterpiece, or just a slow story about a nosy neighbor? We break down the 1954 thriller. In our final "Golden Oldies" episode, Josh, Garrett, and David tackle the iconic mystery Rear Window, starring James Stewart and Grace Kelly. While we marvel at…
By His Hand is a cult thriller road movie shot in Utah on a bootstrapped budget by three brothers who grew up in the LDS faith — and left it. Josh and David sat down with director Taylor Paur, co-writer Ethan Paur, and producer Connor Paur to talk about how…
In this episode of So Many Sequels, we continue Golden Oldies Month with John Ford’s 1940 adaptation of The Grapes of Wrath. Josh, Garrett and David discuss why this Dust Bowl-era classic still feels uncomfortably relevant today, from poverty and labor exploitation to Oklahoma history, capitalism, family survival and the…
The Odd Couple debuted in 1968, making $44 million on a tiny $1.2 million budget and eventually spawning a five-season TV show. But watching it today, the most shocking part might be the opening scene: our introduction to a comedy about mismatched roommates is Felix wandering the streets, genuinely trying…
Three of us saw Project Hail Mary separately. Different theaters, different formats, different weeks. Same reaction: this is the one. We talk about what makes Ryan Gosling's performance land, why Rocky might be the best new alien character in years, and whether a film that made $80M opening weekend and…
This month we're deep in our Best Writing series at the Oscars, and Do the Right Thing is Exhibit A that the Academy has always gotten some of this wrong. We dig into why the film's lack of a traditional protagonist might be exactly what got it snubbed, what Spike…
Josh, Garrett, and David sit down to digest the massive wins for Sinners and One Battle After Another. They unpack Ryan Coogler's masterful genre-blending, the jaw-dropping musical sequences in Sinners, and why waiting for the vampires to actually show up is the smartest thing the movie did. Then, they shift…
In this episode of So Many Sequels, we react to the 2026 Academy Awards and everything that made the night feel just a little off. From the Sinners vs. One Battle After Another showdown to major wins like Michael B. Jordan, we unpack the biggest moments, snubs, and surprises. We…
Why is 12 Angry Men still considered one of the greatest screenplays ever written? In this episode of So Many Sequels, we break down the 1957 courtroom drama that proves you don’t need explosions, chase scenes, or multiple locations to create incredible tension. Sidney Lumet’s 12 Angry Men traps twelve…
Two unknown actors writing an Oscar-winning screenplay sounds impossible—but that's exactly what happened with Good Will Hunting. In this episode of So Many Sequels, we revisit the legendary 1997 drama that launched Matt Damon and Ben Affleck into Hollywood history. The guys discuss why the screenplay became such a phenomenon,…
Hollywood knows you'll show up for Woody and Grogu — but should you? This week on So Many Sequels, Josh, Garrett, and David dig into the freshest trailers for Toy Story 5 and The Mandalorian & Grogu, asking the question that studios hope you never get around to: are we…
Why does Rob Reiner's Stand By Me still hit so hard after all these years? We break down the 1986 Stephen King adaptation that redefined coming-of-age movies. Josh, Garrett, and David wrap up Rob Reiner month by journeying down the train tracks to discuss Stand By Me. From River Phoenix’s…